Jim's passion for drums has lead him to explore rhythm in many different forms. As a kid, he was beating on everything including table desks and the back seat of the family car while riding donw the road. On more than one occasion, the teacher had to make him be quiet while he was drumming his penicl erasure on his school desk. Before Jim's father died in 1993, he related an unknown story: "As a crawling baby, Jim used to get under the sink and beat on the pots and pans. He continued beating on things through grade school until he joined the school band in the 6th grade." So for Jim, whatever he could get his hands on, he would play!

That passion lead him to explore numerious musical genres over the years. It started with high school rock bands, concert band and marching band. He also studied piano. Over the years the list expanded. It included West African Djembe, Zairian Soukous, Afro-Cuban, Alternative, Rock-n-Roll, Singer Songwriter, Rhythm and Blues, Drum and Bugle Corps, Classical and any world influenced music. Music from cultures across the globe became and remains one of his strongest passions.

He also became a teacher, earning a degree in Music Education in 1981. He taught privately as well as drum classes and in 1985, he even taught high school band in eastern North Carolina. In 1987, be became a freelance musician and played with the North Carolina Symphony that summer. At that time, he also taught corps style drumming to high schools throughout eastern North Carolina and adjundicated in numerious masrching contests.

He earned a Master of Music from Northern Illinos University and more recently, a Diploma in Audio Technology from SAE Institute of Technology in Nashville in 2000. His primary goal was to become a better producer.

In the process, he also learned how to be an audio engineer and presently tracks and mixes many of thte projects he is involved in. He runs his own studio called Kalimba Studio located in Nashville.

While in Durham, NC (1987-1995), Jim studied djembe with Khalid Saleem. He has traveled to West Africa and studied music in Senegal and The Gambia with various djembe and balaphon masters. He toured nationally with the Chuck Davis African-American Dance Ensemble.


In 1995, Jim moved to Nashville, and was hired as percussionist for recording artist Billy Dean on the 1996 Reba McEntire Tour, playing nightly to 5000-20,000 seat venues. He has also established himself as a studio musician, playing on bassist Victor Lemonte Wooten's "Yin Yang", "What Did He Say?", Taylor Guitar's "Wood and Steel 2" CD, and Bass Extremes' "Cookbook", which also featured bassist Steve Bailey and drummer, Greg Bissonette.

In 1999-2000, Jim co-produced and played on Neville Brothers guitarist, Shane Theriot's critically acclaimed CD, "Highway 90". Other performers included drummer, Willie Green of the Neville Brothers and bassist, Victor Wooten of Béla Fleck and the Flecktones.

In the year 2000, Jim graduated from SAE Institute of Technology and opened Kalimba Studio. The studio recorded Futureman's CD, the "Seamless Script", on which Jim played live percussion. He also performed with Futch's group, Indigenous Planet. IP included tabla master, Aloke Dutta and Irish musician, Hunter Lee.

Jim has a growing number of producer credits. In 1998, Jim released the Ancient Hand project, an eclectic collection of rhythm driven, post tribal music. He also co-produced Two Traditions with the Horse Flies of Ithaca, NY. This project is traditional fiddle music with ethnic percussion done in a contemporary fashion. Other production/engineering credits include Footloose (Trip to the Moon), Cape Town (Waka Waka), Chere Lunn percussionist (Raw), and American-Irish fiddler Cady Finlaynson (Shines like Silver, Harp and Shamrock, Irish Coffee) of NY